Discover hidden worlds in your own neighborhood

Discover hidden worlds in your own neighborhood like this scene from Seattle's Chinatown

A chance discovery led me to this scene in Seattle’s Chinatown of a store-by-store ritual involving firecrackers and elaborate dances…

How do you discover hidden worlds in your own neighborhood? As we saw last time, part of it means being open and paying attention to what goes unnoticed even around your own house or backyard. You can also take this one step further and discover other neighborhoods that you’ve either not known about or ignored for years.

Such was the case for me with Seattle’s Chinatown and International District. I’ve never felt like I really understood the place.

So when I read the Seattle Time’s article about guided food tours in this neighborhood, I was intrigued. What better way to discover a hidden world in my own neighbor than to go with a local guide who knows all the best places?

Taylor Hoang is such a guide. I’ll explain more about her next time and tell you my story of discovering the secret gems of the International District. For now, let me share with you some ways that you can discover hidden worlds in your own neighborhood. Let’s look at some reasons why we don’t explore these close-by places and what I’ve learned to do about it.

  • You discount the place because it seems irrelevant. To get beyond that, I tell myself that it may not seem relevant, but how do I know unless I explore it more? Don’t pass by a place and never even give it a chance. Drive through. Or better, get out and walk or bike the area. That’s the best way to discover what might be there that could end up being quite meaningful to you.
  • You never even knew it was there. The food tour revealed places in the International District, some just one block away from streets I’ve wandered along many times, that were revelations to me. One strategy is to look more thoroughly by getting off the main drags and exploring the side streets. Another is, as we’ll see next time, to find a guide who knows the hidden places. Yet another is to read up on the place. Get a guidebook of your own city. Read the local papers and magazines that talk about openings, tours, festivals and events. Or go online and check out these sites/apps:
    • TripAdvisor City Guides with user insights and ratings for key sites in some of the largest cities around the country…and around the world.
    • Here.com (or even Google Maps) which may not give you tips on sites to see, but shows points of interest and even street-level views of certain neighborhoods.
    • Sosh.com — This social networking site provides great insights and connections for a few major cities including Seattle.
    • Vayable.com — Probably the best of the bunch for finding local guides, Vayable offers access to people who know their neighborhoods and key sites in major cities all over.
  • You don’t know the good from the bad. This one is tougher. You almost need a guide or recommendations from locals. So do what we often do. Build on your connections. Meet a nice shop owner or person at the local museum. Ask where they’d recommend for lunch. Once there, ask the waiter about good places to buy food or other items. Once there…you get the idea. Sure, you’ll get subjective responses. But these are still more informed than your own limited knowledge of the place. Besides, they give you “next steps” for further exploration and you never know what that will lead to…including the simple delight in meeting all these new people along the way.
  • You feel like an outsider. Especially in ethnic neighborhoods, you can really stand out. Great. It’s good practice for traveling abroad. And in many cases, it helps you empathize with how people in these neighborhoods must feel interacting with the majority culture around them. Plus, you may quickly discover that your own curiosity and excitement about the place is contagious. In most cases, people respond well when they know you’re genuinely interested in the neighborhood where they live and work. Talk to a few locals, get some next step recommendations and soon you’ll feel like a native (or at least comfortable enough to continue).
  • You don’t know what to look for. You can simply explore and see what happens. I did this once in a park next to Seattle’s Chinatown and International District. I had no plan, just an hour to kill waiting for my son at baseball practice. But then I heard a sound like gunfire and I went a few blocks to discover a ceremony going on complete with dragon dance and fireworks. So just exploring may open up opportunities. Or make a quest: Look for a certain kind of food or product or type of store. Seemingly silly “games” or “treasure hunts” of your own making can help you discover hidden worlds within the hidden worlds in your own neighborhood.

So give these a try. But most of all, follow de Botton’s advice and simply develop an attitude of receptivity, being open to everything that comes your way. You may soon discover more hidden worlds in your own neighborhood — literally and figuratively — than you ever imagined.

Discover hidden worlds in your own backyard

Snail drinking water: a discovery of a world in your own backyard

I ran across this thirsty little fella in Rothenburg, Germany, but it could have been in my own backyard…if I would simply take the time to pay better attention.

How many hidden worlds lie in your own backyard? More than you may realize.

Literally, if you were to pay close attention to all the details of your home or backyard, you’d be amazed by what you find. Xavier de Maistre did just that.

Journey around your own room

In 1790, de Maistre wrote a book, Journey Around My Room. According to Alain de Botton in one of my favorite books, The Art of Travel, de Maistre engaged in a different form of travel. No baggage, carriages or ships to deal with. Simply the decision to observe what was all around him but rarely noticed.

Locking the door to his room and donning a pair of pink and blue pajamas, de Maistre began to see the familiar in new ways, discovering hidden worlds in his own bedroom. De Botton notes that:

… de Maistre’s work sprang from a profound and suggestive insight: the notion that the pleasure we derive from a journey may be dependent more on the mind-set we travel with than on the destination we travel to. If only we could apply a travelling mind-set to our own locales, we might find these places becoming no less interesting than, say, the high mountain passes and butterfly-filled jungles of…South America.

That mind-set is essentially one of being receptive which is easy to do when we encounter the new and exotic. Less so in our own backyards. As de Botton comments,

Home, by contrast, finds us more settled in our expectations. We feel assured that we have discovered everything interesting about our neighborhood, primarily by virtue of our having lived there a long time. It seems inconceivable that there could be anything new in a place we have been living for a decade or more. We have become habituated and therefore blind to it.

It starts with actually seeing what you see

Paying better attention and truly noticing the wonder in your own backyard is one way to overcome this blindness. Another is to seek out new places in your own neighborhood that you’ve never visited or observed closely before.

If you live in our near a large city, you’ll likely find many neighborhoods you’ve never explored in depth. Living near Seattle, one such area for me is Seattle’s Chinatown and International District.

This neighborhood is one of those places I normally just pass through on my way to some other destination. Or on the few times I’ve wandered through there, I’ve felt adrift, desirous of some new discovery but usually unsure of what to look for. At times, through no hostility but more a sense of disconnection, I’ve felt like I just don’t belong there.

All this changed for me a few weeks ago.

A glance at an article in our local paper started a chain of events that helped me to discover the hidden worlds in my own backyard so much better. I’ll explain more about this over the next few entries here. But for now, think about what it means for you to discover hidden worlds in your own backyard. It may be a neighborhood you’ve never visited before. Or it may mean opening your eyes — being receptive, as de Botton notes — to what surrounds you every day.

And no, you don’t need to don a pair of pink and blue pajamas to see it.

 

The myth of the unique travel experience

Workers at the Eiffel Tower, a unique travel experience

So what if millions of other people have been to the Eiffel Tower before you. It’s still a unique travel experience FOR YOU especially when you see it in a new way as with these workers silhouetted at dusk.

You travel far off any known tourist map to encounter what you believe will be a unique travel experience. No one there speaks your language or appears to have ever encountered a Westerner before. You learn enough of the local language which, combined with gestures worthy of Marcel Marceau or an Academy Award, get you by.

You come home from this seemingly unique travel experience. You post stories and photos on your Facebook page. Tweet about it. Tell everyone you know about your unique travel experience.

Then one day, a friend sends you a link to someone else’s travel blog. You read about her unique travel experience. Maybe it was to the same place you visited. Or maybe someplace completely different. But the emotions she felt, the wonder she discovered, the authenticity of the culture, the change in her perspective – her very life – it all seems uncomfortably familiar.

In fact, her unique travel experience sounds just like your unique travel experience. The one you now realize may not have been so unique…

Dealing with disappointment

At one point in my life, this realization would have really bugged me. I used to feel that if my trip wasn’t a unique travel experience, then somehow, it was diminished. If I ran into other travelers, especially other Americans, then the “authenticity” of the experience took a hit. It simply wasn’t as special.

I used to also believe that if someone else didn’t say “Goodnight” after I did as I went to bed, monsters would get me in the night. You might be surprised at the effort it takes to ensure that your “Goodnight” isn’t the final word.

Thankfully, I outgrew the “Goodnight” fear around age ten. It’s taken me a bit longer with the obsession of having a unique travel experience.

But here’s what did it.

I’ve come to realize that while a completely unique travel experience may seem to be a myth, the reality is this: It doesn’t matter.

Why?

Why the idea of a unique travel experience makes no difference

  1. The very term “unique” implies some kind of comparison. And comparisons, at least of experiences, rarely help or add any value. What do you ever gain by comparing your trip to someone else’s?
  2. The fact that others have similar emotional responses to their trips that you had to yours isn’t a downer. It’s a cause for celebration. How cool is it that deep down we share a common humanity that enables us to enter into a mutual experience? If you see your unique travel experience as a form of community and not a competition, it enhances rather than detracts from the experience.
  3. Discovery is personal. This is one of my pet maxims about travel. You can visit some place like Angkor Wat, the Eiffel Tower or the Great Pyramid, places millions before your have seen, and guess what? It’s still a discovery for you. It is and always will be a unique travel experience because there is only one you. Others may have similar responses, but they’ll never be exactly the same.

So enjoy your unique travel experience. Or rather, don’t even think about it as such. Think about it as a meaningful experience. To you. And if others have had similar ones, great. That just gives you one more topic you can enthusiastically dive into with that couple you share a train compartment with on your next trip. Because it is likely you share so much more.

 

How to use textures in Photoshop for better photos

Istanbul - Texture 3

A photo from a trip to Istanbul becomes something completely different when you add textures.

Learning how to use textures in Photoshop has been one of the best ways I’ve found to add interest to some otherwise so-so images. In particular, applying textures in Photoshop to travel photos can add depth and meaning to your trip images. How? Because you’re able to add associations to the image that may convey more of how you felt when you captured the image than the photo itself reflects.  Or, you might add new meanings – associations with nostalgia or historical references or simply create something of great beauty.

So what do I mean by “textures?” Textures are essentially the same thing as many of the filters you’ll find on Instagram and other photo apps. These filters or textures change the nature of the photo by blending in a secondary image, usually one of some texture. Common examples for texture backgrounds are photos of old parchment, painted surfaces, weathered wood…anything that adds visual interest.

In future posts, I’ll explain how different textures can create different emotional effects. For now, however, let’s jump in and learn some basics so you can try this for yourself.

Knowing how to use textures in Photoshop starts with knowing Photoshop

You can do this in Photoshop Elements or any program that provides you with the ability to blend layers. I’m using Photoshop CS5 for this example, but any version should work.

I’m going to assume you know at least the basics of Photoshop. However, I will try and explain the process step-by-step since there are some important tips I’ve found to make it work well and fast even if you’re just a Photoshop novice.

Istanbul - Hagia Sophia

Istanbul – Hagia Sophia: This is the original image with no texture.

 

Textured border photo

This is the texture image we’ll be blending into the photo above

The concept is simple: Open both images in Photoshop, move the texture onto the original photo (in this case, the image of the Hagia Sophia in Istanbul), then select one of the blend modes (more on that in a moment).

How to get started with using textures in Photoshop

You need to start with a textured background. You likely don’t have one just lying around if you’ve never done this before. So where do you get a textured background? Try this highly technical maneuver: Google “free textures for photoshop.” Here’s a screenshot of the top results under Images:

How to use textures in Photoshop: List of texture images

How to use textures in Photoshop: List of texture images from a Google search

You likely won’t run out of choices. For my style of photography, I prefer ones with darker borders so they have sort of a built-in vignette. But the best way to learn is to try a half dozen different ones and see what works for you. And remember: You can actually use multiple textures for a single blended photo. Your file size gets pretty huge, but the results can be stunning.

The particular texture I used in this example came from here: https://www.flickr.com/photos/hanne_exurban/4304057519/in/set-72157622112724335 or go here for H. Adam’s full range of textures.

Once you download your textured photo, you’ll need to open it and your original at the same time. Do this by using File > Open for each. Then, I select Window>Arrange>Tile to get both images on screen at the same time like this:

How to use textures in Photoshop: Floating tiles in Photoshop

 

Unfortunately, the images aren’t the same size. So do you rotate the texture image and hope it will fit? Resize each image? Crop the larger down? You might get those to work, but there’s an easier way.

Start by dragging the texture image onto the main photo. When you try that, you may get this message:

How to use textures in Photoshop: Depth difference message

It means that my original photo was taken as a 16-bit image but the texture is only an 8-bit image. You don’t need to know about bits to get around this. Just go to Image>Mode>16 Bits/Channel and check that (assuming your texture image was only 8-bits and your main image was 16. In one case, I had the reverse situation, but the process is essentially the same). If you’re lucky, both images will be the same depth and you will never see this message.

Once you drag the texture image over on top of the original (and you always want to make sure the original image is the background or base image NOT the other way around or this won’t work as well), you should see something like this:

How to use textures in Photoshop: Moving texture image onto background image

If you have trouble doing this, be sure you’ve got the move button highlighted (it’s the top button on the left side menu on my screen) AND you’re holding your mouse down as you drag and drop the texture onto the main image. When you do, you’ll see you now have a new layer on top of your background image layer.

At this point, I either close the texture image that is now floating all alone over there to the top right or just maximize the original image so as not to be distracted by the texture file if I want to use this texture for another photo after this one.

Back to the size difference, here’s the easiest way I’ve found and it works great. Just do this: click on Edit>Free Transform. You’ll see the little “handles” appear the textured image. Just drag each side until each aligns and covers the main background image. In the screenshot below, I’ve dragged the bottom left corner into place and am in the process of dragging the top right to cover the background image. When done and it covers, select the check mark at the top of the screen to confirm.

How to use textures in Photoshop: Using Free Transform

 And now it gets interesting…

All the hard work is now done! Now it’s time for some fun. It’s the closest you’ll come to magic without a wand and white rabbit…

All you do now is experiment with the blend modes. If you’ve never used them before, they are located over above your layers with the default “Normal” mode showing. Click on the the little drop down arrow next to “Normal” making sure your Layer 1 (the textured image) is highlighted. You can rename it if you want with something completely original like “Texture 1.” This really only matters when you have multiple texture files in place and you need to differentiate between them at a glance.

My “go-to” choice is Overlay. It works probably 70% of the time. But not in this case, I don’t think:

How to use textures in Photoshop: Using Overlay blend mode

How to use textures in Photoshop: Using Overlay blend mode

It’s just not very interesting as is. But check this one out when I use “Multiply:”

How to use textures in Photoshop: Using Multiply blend mode

How to use textures in Photoshop: Using Multiply blend mode

Much more interesting. I won’t show you all the variations here, but try each of the blending modes out and see what works.

A few last pointers:

  1. Use the Opacity and Fill sliders (to the right of the blend mode drop down) and adjust those. Normally, I find just changing the Opacity is enough. And sometimes, what looks horrible at 100% can look spectacular when dialed down to say, 45%. So be sure to play with those extensively.
  2. You may have to make other adjustments to fine tune your blended image. In particular, I usually have to play with the Color Balance adjustment (it’s the one with the hanging scales as an icon directly above the blend mode area) if the textured image has a color cast like this one does. In this image, I like the yellow cast because it looks like old parchment, but often you’ll want to adjust that and perhaps your saturation, levels or curves as well.
  3. You may want to crop the final image. I like the crop on the original, but the heavy black in the Multiply version above is too much but if I try to lower the black by lowering the Opacity, it turns light gray and that looks funky. So instead, I’d likely crop out the main part of the border above so it isn’t so heavy. But that’s just me.

That’s it. When you’re done, save the new file as a TIFF, PSD or JPEG (if you don’t plan on working on it any more and want a smaller file).

My final word of advice: You only appreciate the power of textures by trying them and experimenting…a lot. I do find this general rule of thumb, however. My best images don’t always work well for textures. In fact, textures take away fine details. Instead, the best images to use with textures, to me, are ones with blah looking skies or open areas where the texture adds that…texture…to an otherwise bland background. But try a bunch of different types of photos and see.

Examples of how to use textures in Photoshop

Just for fun, here are some of the variations I tried using just the above two images and different settings. You begin to see the possibilities of using textures in Photoshop…

How to use textures in Photoshop: Using Overlay blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Overlay blend mode

In the image above, I did go back and use Overlay, but I lowered the Opacity to 90%, adjusted the saturation down and also cropped off the blue sides to make it cleaner.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Linear Burn blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Linear Burn blend mode

The one above uses the Linear Burn blend mode with Opacity at 96% and Fill at 83%. I also adjusted Saturation, Color Balance, Curves, Levels and even Vibrance. I probably didn’t need to do all those, but I was just playing…and that’s how we learn.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and Hue adjustments

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and Hue adjustments

I love the purple color of this one. It feels like a storybook image. This was done on Multiply with Fill at 90% but I lowered the Saturation and adjusted the Hue to get the purple tint.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and color adjustments

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and color adjustments

Here I used Multiply, kept Opacity at 100% but lowered Fill to 90% and did some adjustments to Color Balance, Levels and Curves.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Difference blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Difference blend mode

In the above, all I did was use the Difference blend mode and changed the Fill amount down to 77%. It reminds me of an illustration or something. I don’t know why, maybe it’s the colors, but I like it a lot. I especially appreciate how it looks like a dreamy illustration except for the cars near the bottom. Interesting juxtaposition.

So there you have it. How to use textures in Photoshop to create several very different feeling images all from the same two photographs blended together in different ways.

Have fun with this and remember to try all kinds of combinations. You never know what will happen…

Also, if you want another take on the process and see what it looks like using textures on people shots, take a look here.

 

Get the most out of a guidebook

How to get the most out of a guidebook: Rosserrilly Friary

Only one guidebook out of a half dozen or so for Ireland mentioned this hidden gem we had all to ourselves (and the sheep and the cows)

How do you get the most out of a guidebook?

In today’s interconnected world, you wonder if the guidebook itself is becoming an anachronism, a throwback to a time when people read actual newspapers and a social network usually involved a potluck. So I’m less concerned with the medium in which the information is presented – books, printouts of PDFs, downloadable e-books, podcasts, phone apps or live access to Web sites while traveling. The question to me is this: Is the content of value to the traveler?

I know of some travelers who say no.

The case against guidebooks

Those who oppose guidebooks say that such aids:

  • Prevent or at least hinder personal discovery
  • Lead you to the same places everyone else goes and reinforce stereotypes
  • Err on the side of the safe, tried and true international hotels and restaurants rather than local ones, or, when they do come across an indigenous find, they ruin it by telling everyone. That hidden gem then becomes as private as a Royal Wedding.

How to get the most out of a guidebook

I agree with those points to some degree. But to me, it all comes down to how you use a guidebook. Here are some thoughts on how to get the most out of a guidebook (the written kind of guides; we’ll save the subject of live tour guides for another time).

  • Realize that all discovery is personal. Just because a million people have been to the same place before doesn’t make it any less meaningful for you the first time you go there.
  • Use the guidebook as a starting point. Use it to identify places and events that sound interesting to you and to avoid those that don’t. The primary value to me of a guidebook is that it saves me time. Think of it as a filter, not the final word on what to see.
  • Don’t settle for just one perspective. I always go to the library and check out as many guidebooks as I can. I’ll usually end up buying one or two to take or photocopy (or more recently, download onto a Kindle or my smart phone), but I only purchase the one that most aligns with my style, needs for this particular trip and travel sensibilities. Look over several and find what works for you.
  • Focus on both the similarities and differences. Most guidebooks will overlap 80-90% in what they cover, at least in terms of the sights to see. That 90% will include the popular, touristy places. But read carefully for the other 10%. In the details listed in only one book, you often encounter some of the most interesting finds, places you’d never discover on your own.
  • Cast your guidebook aside once you get your bearings. Guidebooks serve well to provide you with background, an initial orientation and some possible places to consider you might never find on your own. But once you get there, you’ll experience more meaningful encounters through talking with locals and other travelers and making your own discoveries.

All of the above points matter, but here’s how I get the most out of a guidebook and why I use them: They prime me for openness.

That may seem counter-intuitive because if anything, you may think that guidebooks close you by pointing you toward the same old sights and foisting someone else’s perceptions on you. But to me, by having a greater background and familiarity with the popular sights and even other people’s opinions courtesy of the guidebook, I’m actually free to look around more on my own without worrying about what I might miss.

What about you? How do you use guidebooks? Or do you? Do you just show up and wing it? Has your use changed over time? Do you have a favorite? Share your thoughts on what works for you.

Best travel advice ever

The best travel advice: stack of books on Peru

Read through these, learn what you can then forget it all…

Okay, maybe this isn’t the BEST travel advice I ever received, but it ranks up there with don’t drink the water, pack light and never accept marriage proposals from strange men in Nigeria.

I could throw in, “Don’t dine near cats in Greece” but only my friend Ed would fully appreciate the value of that insight.

The so-called “best” advice came to me from another friend, Ty, when I was in grad school preparing for my first trip to Asia. He had spent some time in Hong Kong and similar places, so in my eyes, that made him an expert on the region. But his advice applies no matter where you go. And that advice is this:

When you’re planning a trip, talk to as many people as you can who have been to that place, read as much as you can, learn as much as you can.

And then forget everything.

What makes this the best travel advice?

His point was that it is easy to get overwhelmed with the amount of information you can take in before a trip, especially today when just about every place you will visit has been documented by travel advice Web sites and bloggers. So visit these Web sites, read the books, look at the photos, watch the videos and talk to everyone you know who has been there.

When you do, you’ll start to discern patterns and uncover topics and places of interest to you. But before you reach that point of over-saturation, stop. Just stop. Put the whole trip, as much as is possible, out of your mind. And then you’ll discover an interesting aspect about our brains.

Your subconscious brain processes far more than you realize. So when I say, “Forget everything,” in reality, you can’t. The important points will stick and when it comes time for your trip, the things that stood out as you were absorbing all the advice earlier will come back to you.

Don’t throw out the guidebooks just yet

Don’t get me wrong, I’m a firm believer, where appropriate, in taking guidebooks, printouts/notes or downloads with you on your trip. You’ll want to refer to those for the details once you’re onsite. But for now, read, learn and absorb and then as they say – at least in the movies about New York gangsters – “fuggedaboudit.”

I followed this advice a while back for a trip to Peru. I went to the library, got all the books I could, skimmed through them to make sure I wasn’t missing anything and then put them aside. I did review them again shortly before the trip and took some of the best ones with us, mostly on my Kindle. Just knowing they were there was enough to let me not obsess about having to remember it all. It made for a far more enjoyable experience.

Try it. It may not be the best travel advice ever, but you’ll find it not only helps you in the anticipation phase, but also adds value on the trip when the sights trigger nuggets of insight you read or heard about earlier.

And it sure beats the heck out of dining with cats in Greece…