How to use textures in Photoshop for better photos

Istanbul - Texture 3

A photo from a trip to Istanbul becomes something completely different when you add textures.

Learning how to use textures in Photoshop has been one of the best ways I’ve found to add interest to some otherwise so-so images. In particular, applying textures in Photoshop to travel photos can add depth and meaning to your trip images. How? Because you’re able to add associations to the image that may convey more of how you felt when you captured the image than the photo itself reflects.  Or, you might add new meanings – associations with nostalgia or historical references or simply create something of great beauty.

So what do I mean by “textures?” Textures are essentially the same thing as many of the filters you’ll find on Instagram and other photo apps. These filters or textures change the nature of the photo by blending in a secondary image, usually one of some texture. Common examples for texture backgrounds are photos of old parchment, painted surfaces, weathered wood…anything that adds visual interest.

In future posts, I’ll explain how different textures can create different emotional effects. For now, however, let’s jump in and learn some basics so you can try this for yourself.

Knowing how to use textures in Photoshop starts with knowing Photoshop

You can do this in Photoshop Elements or any program that provides you with the ability to blend layers. I’m using Photoshop CS5 for this example, but any version should work.

I’m going to assume you know at least the basics of Photoshop. However, I will try and explain the process step-by-step since there are some important tips I’ve found to make it work well and fast even if you’re just a Photoshop novice.

Istanbul - Hagia Sophia

Istanbul – Hagia Sophia: This is the original image with no texture.

 

Textured border photo

This is the texture image we’ll be blending into the photo above

The concept is simple: Open both images in Photoshop, move the texture onto the original photo (in this case, the image of the Hagia Sophia in Istanbul), then select one of the blend modes (more on that in a moment).

How to get started with using textures in Photoshop

You need to start with a textured background. You likely don’t have one just lying around if you’ve never done this before. So where do you get a textured background? Try this highly technical maneuver: Google “free textures for photoshop.” Here’s a screenshot of the top results under Images:

How to use textures in Photoshop: List of texture images

How to use textures in Photoshop: List of texture images from a Google search

You likely won’t run out of choices. For my style of photography, I prefer ones with darker borders so they have sort of a built-in vignette. But the best way to learn is to try a half dozen different ones and see what works for you. And remember: You can actually use multiple textures for a single blended photo. Your file size gets pretty huge, but the results can be stunning.

The particular texture I used in this example came from here: https://www.flickr.com/photos/hanne_exurban/4304057519/in/set-72157622112724335 or go here for H. Adam’s full range of textures.

Once you download your textured photo, you’ll need to open it and your original at the same time. Do this by using File > Open for each. Then, I select Window>Arrange>Tile to get both images on screen at the same time like this:

How to use textures in Photoshop: Floating tiles in Photoshop

 

Unfortunately, the images aren’t the same size. So do you rotate the texture image and hope it will fit? Resize each image? Crop the larger down? You might get those to work, but there’s an easier way.

Start by dragging the texture image onto the main photo. When you try that, you may get this message:

How to use textures in Photoshop: Depth difference message

It means that my original photo was taken as a 16-bit image but the texture is only an 8-bit image. You don’t need to know about bits to get around this. Just go to Image>Mode>16 Bits/Channel and check that (assuming your texture image was only 8-bits and your main image was 16. In one case, I had the reverse situation, but the process is essentially the same). If you’re lucky, both images will be the same depth and you will never see this message.

Once you drag the texture image over on top of the original (and you always want to make sure the original image is the background or base image NOT the other way around or this won’t work as well), you should see something like this:

How to use textures in Photoshop: Moving texture image onto background image

If you have trouble doing this, be sure you’ve got the move button highlighted (it’s the top button on the left side menu on my screen) AND you’re holding your mouse down as you drag and drop the texture onto the main image. When you do, you’ll see you now have a new layer on top of your background image layer.

At this point, I either close the texture image that is now floating all alone over there to the top right or just maximize the original image so as not to be distracted by the texture file if I want to use this texture for another photo after this one.

Back to the size difference, here’s the easiest way I’ve found and it works great. Just do this: click on Edit>Free Transform. You’ll see the little “handles” appear the textured image. Just drag each side until each aligns and covers the main background image. In the screenshot below, I’ve dragged the bottom left corner into place and am in the process of dragging the top right to cover the background image. When done and it covers, select the check mark at the top of the screen to confirm.

How to use textures in Photoshop: Using Free Transform

 And now it gets interesting…

All the hard work is now done! Now it’s time for some fun. It’s the closest you’ll come to magic without a wand and white rabbit…

All you do now is experiment with the blend modes. If you’ve never used them before, they are located over above your layers with the default “Normal” mode showing. Click on the the little drop down arrow next to “Normal” making sure your Layer 1 (the textured image) is highlighted. You can rename it if you want with something completely original like “Texture 1.” This really only matters when you have multiple texture files in place and you need to differentiate between them at a glance.

My “go-to” choice is Overlay. It works probably 70% of the time. But not in this case, I don’t think:

How to use textures in Photoshop: Using Overlay blend mode

How to use textures in Photoshop: Using Overlay blend mode

It’s just not very interesting as is. But check this one out when I use “Multiply:”

How to use textures in Photoshop: Using Multiply blend mode

How to use textures in Photoshop: Using Multiply blend mode

Much more interesting. I won’t show you all the variations here, but try each of the blending modes out and see what works.

A few last pointers:

  1. Use the Opacity and Fill sliders (to the right of the blend mode drop down) and adjust those. Normally, I find just changing the Opacity is enough. And sometimes, what looks horrible at 100% can look spectacular when dialed down to say, 45%. So be sure to play with those extensively.
  2. You may have to make other adjustments to fine tune your blended image. In particular, I usually have to play with the Color Balance adjustment (it’s the one with the hanging scales as an icon directly above the blend mode area) if the textured image has a color cast like this one does. In this image, I like the yellow cast because it looks like old parchment, but often you’ll want to adjust that and perhaps your saturation, levels or curves as well.
  3. You may want to crop the final image. I like the crop on the original, but the heavy black in the Multiply version above is too much but if I try to lower the black by lowering the Opacity, it turns light gray and that looks funky. So instead, I’d likely crop out the main part of the border above so it isn’t so heavy. But that’s just me.

That’s it. When you’re done, save the new file as a TIFF, PSD or JPEG (if you don’t plan on working on it any more and want a smaller file).

My final word of advice: You only appreciate the power of textures by trying them and experimenting…a lot. I do find this general rule of thumb, however. My best images don’t always work well for textures. In fact, textures take away fine details. Instead, the best images to use with textures, to me, are ones with blah looking skies or open areas where the texture adds that…texture…to an otherwise bland background. But try a bunch of different types of photos and see.

Examples of how to use textures in Photoshop

Just for fun, here are some of the variations I tried using just the above two images and different settings. You begin to see the possibilities of using textures in Photoshop…

How to use textures in Photoshop: Using Overlay blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Overlay blend mode

In the image above, I did go back and use Overlay, but I lowered the Opacity to 90%, adjusted the saturation down and also cropped off the blue sides to make it cleaner.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Linear Burn blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Linear Burn blend mode

The one above uses the Linear Burn blend mode with Opacity at 96% and Fill at 83%. I also adjusted Saturation, Color Balance, Curves, Levels and even Vibrance. I probably didn’t need to do all those, but I was just playing…and that’s how we learn.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and Hue adjustments

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and Hue adjustments

I love the purple color of this one. It feels like a storybook image. This was done on Multiply with Fill at 90% but I lowered the Saturation and adjusted the Hue to get the purple tint.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and color adjustments

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Multiply blend mode and color adjustments

Here I used Multiply, kept Opacity at 100% but lowered Fill to 90% and did some adjustments to Color Balance, Levels and Curves.

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Difference blend mode

How to use textures in Photoshop: Hagia Sophia, Istanbul image using Difference blend mode

In the above, all I did was use the Difference blend mode and changed the Fill amount down to 77%. It reminds me of an illustration or something. I don’t know why, maybe it’s the colors, but I like it a lot. I especially appreciate how it looks like a dreamy illustration except for the cars near the bottom. Interesting juxtaposition.

So there you have it. How to use textures in Photoshop to create several very different feeling images all from the same two photographs blended together in different ways.

Have fun with this and remember to try all kinds of combinations. You never know what will happen…

Also, if you want another take on the process and see what it looks like using textures on people shots, take a look here.

 

Get the most out of a guidebook

How to get the most out of a guidebook: Rosserrilly Friary

Only one guidebook out of a half dozen or so for Ireland mentioned this hidden gem we had all to ourselves (and the sheep and the cows)

How do you get the most out of a guidebook?

In today’s interconnected world, you wonder if the guidebook itself is becoming an anachronism, a throwback to a time when people read actual newspapers and a social network usually involved a potluck. So I’m less concerned with the medium in which the information is presented – books, printouts of PDFs, downloadable e-books, podcasts, phone apps or live access to Web sites while traveling. The question to me is this: Is the content of value to the traveler?

I know of some travelers who say no.

The case against guidebooks

Those who oppose guidebooks say that such aids:

  • Prevent or at least hinder personal discovery
  • Lead you to the same places everyone else goes and reinforce stereotypes
  • Err on the side of the safe, tried and true international hotels and restaurants rather than local ones, or, when they do come across an indigenous find, they ruin it by telling everyone. That hidden gem then becomes as private as a Royal Wedding.

How to get the most out of a guidebook

I agree with those points to some degree. But to me, it all comes down to how you use a guidebook. Here are some thoughts on how to get the most out of a guidebook (the written kind of guides; we’ll save the subject of live tour guides for another time).

  • Realize that all discovery is personal. Just because a million people have been to the same place before doesn’t make it any less meaningful for you the first time you go there.
  • Use the guidebook as a starting point. Use it to identify places and events that sound interesting to you and to avoid those that don’t. The primary value to me of a guidebook is that it saves me time. Think of it as a filter, not the final word on what to see.
  • Don’t settle for just one perspective. I always go to the library and check out as many guidebooks as I can. I’ll usually end up buying one or two to take or photocopy (or more recently, download onto a Kindle or my smart phone), but I only purchase the one that most aligns with my style, needs for this particular trip and travel sensibilities. Look over several and find what works for you.
  • Focus on both the similarities and differences. Most guidebooks will overlap 80-90% in what they cover, at least in terms of the sights to see. That 90% will include the popular, touristy places. But read carefully for the other 10%. In the details listed in only one book, you often encounter some of the most interesting finds, places you’d never discover on your own.
  • Cast your guidebook aside once you get your bearings. Guidebooks serve well to provide you with background, an initial orientation and some possible places to consider you might never find on your own. But once you get there, you’ll experience more meaningful encounters through talking with locals and other travelers and making your own discoveries.

All of the above points matter, but here’s how I get the most out of a guidebook and why I use them: They prime me for openness.

That may seem counter-intuitive because if anything, you may think that guidebooks close you by pointing you toward the same old sights and foisting someone else’s perceptions on you. But to me, by having a greater background and familiarity with the popular sights and even other people’s opinions courtesy of the guidebook, I’m actually free to look around more on my own without worrying about what I might miss.

What about you? How do you use guidebooks? Or do you? Do you just show up and wing it? Has your use changed over time? Do you have a favorite? Share your thoughts on what works for you.

Best travel advice ever

The best travel advice: stack of books on Peru

Read through these, learn what you can then forget it all…

Okay, maybe this isn’t the BEST travel advice I ever received, but it ranks up there with don’t drink the water, pack light and never accept marriage proposals from strange men in Nigeria.

I could throw in, “Don’t dine near cats in Greece” but only my friend Ed would fully appreciate the value of that insight.

The so-called “best” advice came to me from another friend, Ty, when I was in grad school preparing for my first trip to Asia. He had spent some time in Hong Kong and similar places, so in my eyes, that made him an expert on the region. But his advice applies no matter where you go. And that advice is this:

When you’re planning a trip, talk to as many people as you can who have been to that place, read as much as you can, learn as much as you can.

And then forget everything.

What makes this the best travel advice?

His point was that it is easy to get overwhelmed with the amount of information you can take in before a trip, especially today when just about every place you will visit has been documented by travel advice Web sites and bloggers. So visit these Web sites, read the books, look at the photos, watch the videos and talk to everyone you know who has been there.

When you do, you’ll start to discern patterns and uncover topics and places of interest to you. But before you reach that point of over-saturation, stop. Just stop. Put the whole trip, as much as is possible, out of your mind. And then you’ll discover an interesting aspect about our brains.

Your subconscious brain processes far more than you realize. So when I say, “Forget everything,” in reality, you can’t. The important points will stick and when it comes time for your trip, the things that stood out as you were absorbing all the advice earlier will come back to you.

Don’t throw out the guidebooks just yet

Don’t get me wrong, I’m a firm believer, where appropriate, in taking guidebooks, printouts/notes or downloads with you on your trip. You’ll want to refer to those for the details once you’re onsite. But for now, read, learn and absorb and then as they say – at least in the movies about New York gangsters – “fuggedaboudit.”

I followed this advice a while back for a trip to Peru. I went to the library, got all the books I could, skimmed through them to make sure I wasn’t missing anything and then put them aside. I did review them again shortly before the trip and took some of the best ones with us, mostly on my Kindle. Just knowing they were there was enough to let me not obsess about having to remember it all. It made for a far more enjoyable experience.

Try it. It may not be the best travel advice ever, but you’ll find it not only helps you in the anticipation phase, but also adds value on the trip when the sights trigger nuggets of insight you read or heard about earlier.

And it sure beats the heck out of dining with cats in Greece…

 

Unnecessary trips and why they matter

Untanum TracksSome of the best journeys are the ones you don’t need to go on, the seemingly unnecessary trips.

I’m referring to the unplanned, spontaneous kinds. The ones with no worry about reservations or itineraries, no concern for what you’ll see or do. They are the trips that just happen, not out of necessity, but just because you can.

Don’t get me wrong: I love planning trips. Oftentimes, anticipation is one of the best parts of travel. However, along with the preparation and forethought can come unnecessary expectations of the place you’re visiting, the people you hope to meet or the ones with whom you’re traveling (including yourself!).

Sometimes the unexpected trip is better: You just show up and take whatever comes your way.

The value of unnecessary trips

My family and I did this a while back. We knew we had to be in Ellensburg, Washington on a Saturday for my oldest son’s performance at the State Finals for high school musicians. That was the “necessary” trip. However, we stayed overnight and took off Sunday morning to hike a nearby trail (Untanum Creek Canyon) I had once heard about.

The only planning consisted of making the decision the night before to go there and then asking for directions the next morning. The rest was a spontaneous, totally unnecessary trip on a gorgeous day that included crossing over a suspension bridge, under some railroad tracks (pictured above), hiking along a creek past beaver dams and seeing a herd of bighorn sheep on the walls of the canyon that surrounded us.

Untanum Creek Canyon

Would the day have been any different had we planned it out and made it an intentional destination rather than one of many unnecessary trips? Who knows? But by not thinking much about it before we got there, it added to the surprise factor of the day. It made our explorations feel like more of a discovery despite the dozen other people on the trail. These were people who clearly planned out their adventure more than we did (the backpacks were a good indicator…).

Fishing on the Yakima River near Untanum

Unnecessary trips and living your life

I’ve recently been reading Paul Theroix’s book, The Tao of Travel. He doesn’t address unnecessary trips per se, But the book does contain quotes from his own travel tales and insights from many other traveler writers over the years. One quote of his I read last night applies here:

“Travel is at its most rewarding when it ceases to be about your reaching a destination and becomes indistinguishable from living your life.”

When you incorporate little surprise trips within your daily life, both are enhanced. Sure, you have to carve out the time for even the short trip. But too often I find I use lack of time as an excuse to do nothing.

Instead, this recent family hike reminded me of how much room there is in this world: room in my schedule if I make it so, room in the places around me to explore and room in my life for growth and possibility.

When I consider it this way, maybe these small, spontaneous adventures – these so-called unnecessary trips – aren’t so unnecessary after all…

 

Something for everyone

cropped-Stein-rack-texture.jpg

Beer steins in the Hofbrauhaus

In Munich, Germany, at the famous Hofbrauhaus brewery, locals hang out at tables assigned specifically for them. They also keep their beer steins locked in racks that only they and other locals can access. This, in part, is what separates the tourists from the locals.

And yet even though there’s a clear cultural divider there between insiders and outsiders, everyone is welcome.

It’s the same here: You may be new to travel or not think of yourself as a creative person. And yet you will find information here that can help you not only travel and create better, but appreciate life in a whole new way. So give it a shot and see. Who knows? You may have your own table here in no time…

Let’s get started!

Find a way in...

Find a way in…

Welcome to my site. Here you’ll find insights, discoveries and messages from along the way regarding the art of meaningful experiences, What’s a meaningful experience? That’s up to you to decide.

In general, it involves an experience – something you partake in – that makes a difference…to you, to others, to the world.

In particular, we’ll explore the intersection of travel and creativity (in all its forms, from art to business to life) and see how to travel in a manner that enhances your creativity and create in a manner that improves every trip you take.