Steve Brock, Author at Explore Your Worlds

One great day in Ljubljana, Slovenia

Your best day in Ljubljana

Ljubljana, the capital of Slovenia, is like a chocolate truffle. It’s not large, but it delivers a great deal of flavor and delight in a small bite. You can see most of the main sights in a single day, about as long as it takes to learn how to say its name correctly (j’s are pronounced as i’s so it sounds like lee-oo-bee-yana or lewb-lyana or, well, just ask a local).

Slovenia itself nears the top of European destinations that will surprise most travelers who a) have no idea where it is, b) confuse it with Slovakia, or c) never realize how beautiful and charming this country is. However, for those who do visit, they leave realizing they should have allowed more time there.

Located at the north end of the former Yugoslavia back in the days of Tito and Communism, Slovenia borders Italy on the west and Austria to the north. Drive through its gorgeous Julian Alps and you’d be forgiven for thinking you were in Switzerland. And when it comes to its capital, from certain viewpoints, Ljubljana (got that pronunciation down yet?) may remind you of Salzburg, Austria with its architecture and castle on the hill.

But Ljubljana is its own city with its own personality. And its one you can get to know, in a speed-dating sort of way, on a short visit. Here’s how to get the best of Ljubljana in one day. (Just be sure to use the Google Translate function if you follow the links I’ve provided since many go to the local websites in Slovenian).

Orientation

Most of the sights are all within walking distance and lie along or near the Ljubljanica River that divides the old city to the east from the new city to the west. The river’s banks are lined with willow trees and cafes. Strolling or lingering here will provide you with the main highlights of the city. As you get further from the river, the appeal factor of Ljubljana drops. As an Eastern European city that spent a generation or two under communism, to get to the old town, you’ll pass through several industrial or very utilitarian areas filled with apartment blocks. But that’s not unique to Ljubljana. Just stay close to the river and you’ll be happy (unless mid-century Soviet is your thing).

Preseren Square

To cover the popular and some surprising, lesser-known features of Ljubljana in a day, start off at the heart of the city, Preseren Square (Preservnov Trg, named for Slovenia’s famed 19th century poet, France Preseren).

You can’t miss the bright salmon-colored Franciscan Church of the Annunciation that sits at the twelve o’clock position (with north at the top) on the round square (and yes, I too wonder why they just don’t call it a circle).

At about the two o’clock position, you’ll see the city’s oldest department store, Galerija Emporium with its interesting Art Nouveau facade and interior. At the five to seven o’clock positions, you’ll find the city’s famous Triple Bridge. The center bridge, based on one in Venice, was built in 1842. In the 1920’s, Joze Plecnik, the city’s most well-known and prolific architect (it seems as if he designed half the city) added two similar bridges to create a pedestrian-only thoroughfare that defines this central meeting place in Ljubljana.

Starting early

If you want to start early with amazing pastries, bread and coffee, get going by 8:00 or 8:30 a.m. Most of the shops and even the Central Riverside Market area will still be closed, but that gives you the area to wander without crowds. You’ll do a little backtracking this way, but it is worth it. If you prefer to sleep in, you can still get your baked goods and coffee later as a late-morning snack and skip to the Riverside Market section below.

Stari Trg

For you larks, your breakfast destination lies on probably the most beautiful street in Ljubljana, Stari trg. From Preseren Square, cross the Triple Bridge, go straight into the square before you where you’ll see the Fountain of Three Rivers Sculpture, then turn right (you can’t go straight). You’ll quickly pass Town Hall, currently (as of October 2018) closed for renovation. Keep heading down this street which here is called Mestni trg, but it changes names shortly to Stari trg. This is one of those amazing streets that work perfectly if want to learn how to pay better attention by noticing the right details of a place.

Perkana Osem

You’re looking for the Perkana Osem bakery at 17 Stari trg. It will be on your left and you’ll likely smell it before you arrive. Once there, you can observe the bakers at work in the back.

Cafetino is the green storefront on the left. Later in the day when it isn’t raining, you can sit at the cafe tables outside.

Pick out some delicacies and retrace your steps to #5 Stari trg, Cafetino. With over twenty styles of coffee and an intimate interior, it’s considered the best place for coffee in the city. Later, on a sunny day, you can sip your coffee at one of their outdoor tables. For now, once you’ve had your carbs and caffeine, head back to the Triple Bridge.

If you don’t want to walk the Old Town, you can take this tour tram that you pick up near the Triple Bridge.

The Riverside Market, Dragon Bridge and the Castle

If you got a later start and didn’t do the bakery and coffee house, no problem. Just start here at the Triple Bridge. Orient yourself by facing the castle (on the hill before you), then turn left (east).

Porticoes by Riverside Market

Along the porticoes that parallel the river, you’ll find some decent souvenir shopping by merchants who set up their wares each morning around 9:00 or 10:00 a.m.

Keep going, and you’ll arrive at the Riverside Market (aka the Central Market), a daily affair where farmers bring in produce, honey and other items to sell to the city folk. You can grab picnic supplies or snacks here, or just wander.

Roasting chestnuts at Riverside Market

If you want, dart back over to the river from the Riverside Market for a quick look at the Butcher’s Bridge.

Locks on Butcher’s Bridge

It’s filled with some interesting sculptures (not to everyone’s taste, apparently) and loaded with locks fastened there by couples, a now familiar sight on bridges throughout Europe.

Sculptures on Butcher’s Bridge

You’ll also find some rare public restrooms beneath the market side’s entrance to the bridge. Go back to the Central Market then turn left and proceed to the next bridge at the end of the market, Ljubljana’s Dragon Bridge with its namesake sculptures at each end.

Get your selfie with the dragons, then turn around and head uphill, looking for signs for the castle that you can see looming above you on the hill. You can do a somewhat strenuous walk to the top or take the funicular. Once you’re at the castle, you can visit the museum and shops or just take in the view of Ljubljana below you (though as of this writing, the Viewing Terrace is closed for renovations).

Seminary Library

Cathedral and Seminary Library

Seminary Library entrance

Retrace your journey back down the hill back to the Riverside Market. On the west end of the market area there’s a small street you want to go down. On the right, you’ll see a fascinating doorway framed by two titans with the phrase “Veriti & Musis” (Truth and Muses) over the entry. This leads into the Seminary Library, the country’s first public library (established in the 18th century).

It’s a fascinating space of old leather-bound books, ornate wooden bookshelves and a beautiful fresco that fills the ceiling and upper walls. It’s only available by private tour that you have to arrange in advance (you can email them at semeniska.knjiznica.lj@rkc.si to make a reservation).

It’s definitely worth the small effort and donation to visit this exquisite space.

From the library, pop into the nearby St. Nicolas Cathedral (you can’t miss it: Just look for the towers). Note the intriguing bronze doors on the front and especially, the one on the side depicting portraits of 20th century bishops of the cathedral.

Shop and eat

For you early risers, you’ll be repeating your morning journey down Mestni/Stari trg. But this time, you get to shop. The street is lined with boutiques and shops filled with local Slovenian products such as honey and other bee items, salts from the local salt pans on the coast, a book store, several chocolate stores, a place specializing in woolen goods (Madal Bal) and a wealth of others.

If you want some higher end Slovenian souvenirs, on the small stretch that connects the Triple Bridge with Mestni/Stari trg, look for Gallerija Rustika.

Galerija Rustika

You’ll also find that Stari trg is filled with numerous restaurants and cafes. This is a good place to grab lunch if you’re there around this time.

Once you’ve completed your shopping and dining, head to the southern end of Stari trg and you’ll arrive in Gornji trg.

Gornji Trg

Look up the street that runs uphill and you’ll see some of the oldest buildings in Ljubljana.

This whole Mestni/Stari/Gornji trg area is filled with a combination of Medieval and Baroque buildings that visually charm and make this one of the most delightful areas in Ljubljana. Take your time and simply enjoy it.

Cobbler’s Bridge

Crossing the river

So far, you’ve spent the day in the old city. Now it’s time to go to the new city. After coming to the end of Gornji trg, turn right and cross the river. If you stop and look up the river, the next bridge up is the Cobbler’s Bridge, also designed by Plecnik. You’ll have time to explore the river more later, but for now, keep heading straight into the quaint area known as Krakovo.

Your destination is located at Karunova 4 and 6, the former home of Joze Plecnik. Even if you’re not a big architecture fan, the home where Plecnik resided for years is fascinating. It’s exactly as it was when he died in 1957. This is one of those rare museums where nothing is behind glass.

You get right up close seeing the items on his desk or the books on his shelf. It’s a great introduction to the man and also, to Ljubljana since the two are so integrally linked.

Joze Plecnik’s desk in his home.

If you have an extra day, spend it exploring this area or the area’s many other museums. You can also venture over to Tivoli Park. But for now, you still have several hours left on your one great day in Ljubljana tour. So head back to the Ljubljianica River (you’ll see another smaller one near Plecnik’s house that flows into the main river).

Entrance to the National University Library

National University Library

If you’re in Ljubljana on a Saturday, you have a once-a-week opportunity to pop into one of Plecnik’s most famous buildings, the National University Library. As you head north along the river, you’ll cut over after a couple blocks. Your goals is to find a brick and stone building with windows projecting out from the walls that resemble open books. This is the National University Library. You can visit the library’s small bookstore, stairway entrance and a small exhibition space any day. But only on Saturday afternoons do they let the public into the main reading room. As with the Seminary Library, this will mostly be interesting to lovers of books, art and architecture. But the unique spaces can make it intriguing for just about anyone.

Stairway in National University Library

On the south side of the National University Library you’ll find the former monastery known as Krizanke. Joze Plecnik (but, of course!) renovated it and it now serves as one of the primary concert venues in the city (show on the right in the photo below).

Check out the schedule for a possible concert while you’re in town, or just admire the space itself.

More food and exploration

From Krizanke and the National University Library, either return to the river or just meander north through the side streets.

This statue of Ivan Hribar, Ljubljana’s mayor in the early 20th century, stands near the University River by the river.

You’ll soon get to the University District and the large tree-lined square, Kongresni trg. But mostly your goal now is to enjoy the town at your own pace, looking along the cafes that line the river for a great dinner location. Or, if you want yet another snack, here are three great places to try gelato in Ljubljana.

Near the university is Gelateria Romantik. You’ll spot it next to two impressive bronze doors. Here, they use something like 40% less sugar and only natural ingredients. Further along (hey, gelato is worth the walk) and back between Triple Bridge and the Fountain of Three Rivers is Vigo (which gets the number one slot on Trip Advisor) closely followed by Cacao, across the river from Vigo. You can’t go wrong at any of these three ice cream spots. But at Cacao, you can sit in their riverside cafe to enjoy the views and the passing crowds.

The best of Ljubljana

And that, just watching the people and the beauty of the city, may be the best way to spend a day in Ljubljana. Sure, you’ll want to explore many or all of the sights noted above. But allow time to relax, have a great meal or a drink or — gelato! — along the river and observe the locals doing much the same thing. You get all the vibrant energy, stylish fashion and beautiful architecture of a European capital city but on a more manageable scale. In Ljubljana, you can take it all in and enjoy it, even if you only have one day there.

Visual appeal: Plan your trips around what delights you most visually

Steve BrockTravel 0

What you see is what you get

When planning where to go on a trip, don’t overlook one of the most important, seemingly obvious and least considered aspects of travel: The visual appeal to you of the places you’ll visit.

Now obviously, travel consists of so much more than what you see. In particular, the people you meet tend to be highlights of your trip. But also the smells, the tastes, the sounds and even the texture of new objects, all that adds to the experience. Moreover, what you feel in response to all this, your reactions to the thoughtful gesture of a stranger, the exoticism of new tastes or the delight in walking in the footprints of some historical figure, those emotions go far beyond anything visual on a trip.

And yet, what you see affects so much of how you feel when you travel. The odd thing is, if you’re like most of us, you may never have factored into planning for your trip the kinds of things you desire to see on that trip. Instead you may show up and experience deep bliss without ever considering why or what triggered that happy feeling or how much the visual stimuli contributed to it.

This shot captures what has the greatest visual appeal to me: nature, architecture and people, especially those close to me.

An exercise if determining what appeals to you visually

Just in case you were wondering what that sculpture in front of the Pantheon looked like…

To help you get better in touch with both what you see and also how it affects you, your trip and planning where you’ll go, try this exercise.

Think of any place in the world that you’ve been to (or have seen pictures of) that you adore. Be specific. Don’t think, “Rome, Italy.” Instead, think, “that fountain with the comically-faced sculptures in front of the Pantheon in Rome, Italy.” Got it?

Now imagine you were magically plopped down there for the first time. Look around. What stands out? What specifically appeals to you visually there?

Maybe it’s the natural beauty displayed in the rocks and trees. Maybe it’s the epic expanse of a big sky or open sea. Or, conversely, it might be the intimacy of small cafe or Gothic chapel. Are you outside in the country? Inside in the city? Wandering down a quaint village road? Huddled beneath a jungle canopy? Looking out on a vast mountain range? Hanging out with newly-made friends in a quaint pug? What grabs your attention visually? Bright colors? Ancient surfaces and textures? The unfamiliar angle of the sun? Or perhaps it’s the people who make that scene work for you. What specifically about the people in a particular place attracts your attention?

Consider all the factors

Baihe Courtyard with great visual appeal inside and out

Sometimes architecture doesn’t have to be planted in nature for visual appeal. Sometimes, as in this traditional courtyard home in Baihe, China, they bring nature inside.

When determining what visually appeals, it’s likely a combination of many elements and it could even include the weather, quality of light, season or time of day.

But think about what you most love to see on a trip.

Try to jot down all the components that have the greatest visual appeal. Then prioritize them. Which one emerges as most important to you? You could expand this beyond the visual, but that quickly gets overwhelming. Restricting this exercise to only what has visual appeal to you reveals insights you may never have considered before.

If you want, try the same exercise again only with a different location. See if the same factors that worked regarding visual appeal for you the first time hold up in a new location.

You may be surprised

Before I did this exercise, my guess would have been that nature would have been the aspect that had the most visual appeal for me. And that’s still at the top of my visual-interest list. But this exercise revealed that neck-in-neck with flora and fauna is architecture or other human-made elements. And most of all, when you combine the two — human design combined with natural beauty, I’m a goner. The images above and below will give you some idea of what I mean by that combination of the human element combined with the natural.

The mountain (Morro Rock in Morro Bay, California) wouldn’t be nearly as interesting without the boat.

But how about you? What’s the visual appeal priority or highlight for you on a trip? Knowing this can dramatically assist you in choosing destinations that delight you. You might be amazed how many people don’t consider what elements have visual appeal to them before they go on vacation so they end up choosing trips that may be enjoyable, but don’t spark that “I can’t believe I’m here!” response.

Sometimes, the architecture blends in with nature as in this village in Morocco

Understanding what has visual appeal to you also helps you know what to pursue on your trip, particularly if you want to take photos. Finding places, people and scenes that appeal specifically to you rather than just seeing what everyone else is looking at, can dramatically enhance your trip and your photos. To learn some simple yet powerful techniques to taking better travel photos, check out this free guide.

Applying this to planning a trip

Scottish Doorway with great visual appeal

Even elements of architecture increase their visual appeal, to me, when even small bits of nature are added.

Think about what appeals to you visually, then go where you’re predisposed to liking what you’ll see once you arrive. If you’re a nature lover, minimize cities or find hidden examples of nature even in urban centers (e.g. The High Line or Central Park in Manhattan). If you love the sea, you may not want to vacation in Nebraska. If you’re a people person, avoid deserts, ghost towns or Times Square at 5:00 a.m. If you love artifacts and sites related to ancient history, stay away from the suburbs. And if you, like me, love that combination of nature and architecture, choose places like national parks, gardens, castles in rustic settings, remote villages or anywhere the design is distinct, unusual or incorporates elements of nature into the buildings themselves or their surroundings.

In short, find what you love and pursue it. That sounds so obvious, but you may never have really isolated the key elements of what you love, at least visually. Do so. Plan your journey around those. Then go have a trip where you come home knowing why you love it. And how to find even more of that on your next trip.

Finally, realize that the visual appeal of a place is but one factor in planning a trip, albeit an important and often overlooked one. But you may find that knowing your Traveler Type can also be invaluable in helping you decide not just where to go on a trip, but how.

Chiusa, Italy: Small town with a big view

Steve BrockTravel 0

Chiusa and the serendipity of travel

Discovering some unknown (to you) place on your own is one of the great joys of travel. No one has recommended it to you, guidebooks may barely mention it and yet, once there, you wonder, “Why have I never heard of this place before?”

Most people head to the Dolomites – that craggy region of northern Italy – to hike amid its jagged peaks in the summer or to ski in winter. But throughout the region lie many charming towns and villages that deserve a closer look. One such place is the small artists’ town of Chiusa (Klausen in German). In much of this area known as South Tyrol, more people speak German than Italian since prior to WWI, this region was part of the Austro-Hungarian empire.

Chiusa lies about 18 km (12 miles) north of the larger city of Bolzano, or 60 km (40 miles) south of the Austrian border. But this combination of Italian and Germanic influences gives Chiusa its distinct character. You may never have heard of it before and you could cover the highlights of Chiusa on a short visit as you’re passing through the region (it’s conveniently right off of the autostrada. You can see an elevated section of the freeway to the rear of the photo above). But spend a bit more time to linger and wander and the wonders of this lovely town begin to reveal themselves.

The town itself

As you enter town, look for the signs to the “Altstadt” (old city in German) or city center. Just driving through on the main road will leave you wondering about those castle-looking buildings on the hill, but otherwise underwhelmed. You have to make your way to the small central area and begin exploring to discover the full beauty of this place.

If you arrive on a Sunday, as we did, you’ll find most of the shops closed. But you can still enjoy a meal at one of the restaurants or cafes that line the town square. You may be fortunate enough, as we were, to come upon a wedding outside the town’s main church, the Chiesa di Sant’Andrea, where you’ll behold a choir in traditional garb sing a beautiful song a cappella to the attendees.

On a weekday, if you like to shop, you’ll find a wealth of intriguing boutiques and quaint stores along the main street selling handmade wares and locally crafted gifts. Chiusa has always been a town that attracted creative types, especially poets and artists such as Albrect Duerer who is said to have visited and sketched the city in 1494.

Heading uptown

The town invites exploration so after strolling along the main streets, wend your way through narrow passages, eventually ascending a set of stone steps that mark the start of the Via Cruxis, the Way of the Cross, up the hillside behind the town.

Along the way you’ll pass by works of religious art set in small shrines that mark the way, and mostly, fields of grapes. Vineyards line many of the surrounding hills. Visit in the fall and you’ll see plump clusters of grapes dangling in the sun along the entire route.

Chiusa, Italy - Walkway through vineyards to monastery

The small castle seen from below, Branzoll Castle, is privately owned (nice digs) and thus not open to the public. So continue up the hill, stopping frequently to take in views of Chiusa and the valley below you.

Eventually you’ll approach the top of the rocky outcropping on which sits the Sabiona (or Saeben, in German) Monastery, one of the oldest pilgrimage sites in the region.

A building of some kind has been on this site for over a thousand years. However, it wasn’t until the late 17^th century that it became a Benedictine monastery. Shortly after that, it turned into a convent. A few nuns still reside there, but they stay mostly out of sight in private areas.

That frees you to explore the first courtyard which contains a cistern with potable water above which stands a modern bronze relief. Pop into the chapel then, after paralleling the monastery walls, pass through a tunnel to arrive at multilevel courtyard area near the top.

You don’t even have to knock

It’s easy to assume all the doors there are locked. Don’t. At the very top lies a foreboding black iron door. Open it and walk inside.

Chiusa, Italy - inside locking mechanism on black iron door

When you do, you’ll discover the largest of the four churches, the Church of the Holy Cross and its impressive frescoes. On a sunny afternoon, the interior fills with warm light and all the colors from the highly decorated walls and ceiling. You can spend a fair amount of time in the monastery just absorbing the quiet presence of the place.

Chiusa, Italy - Inside the Church of the Holy Cross

Contemplating beauty and the divine, however, can be parching work. Thus, once you’ve explored the nooks and crannies of the monastery, head back down the hill and follow signs through a vine tunnel that lead to the Restaurant Pizzeria Torgglkeller.

Chiusa, Italy - heading back down to town

Pizzerias in this part of the world are as ubiquitous as fish and chips stands in the UK or poke places in Hawaii. If you don’t like pizza, your food options diminish significantly. However, you can try your luck at other choices inside sitting in one of the old wooden barrels to dine (see photo below) or head outside for a beer or a light snack.

Getting out of town

After relaxing, you can head out to one of several nearby valleys for stunning views of the surrounding mountains. A close and popular option is to visit Val di Funes (Villnoess Valley) to capture a quintessential Dolomites image, that of the church of Santa Maddalena (St. Magdalena) with the Odle mountain range in the background near sunset.

You can actually take a gondola (two, to be exact) up from nearby Ortisei to reach another often-photographed area of the Dolomites, Seceda, which sits at the top of this range.

Each of these lies only about a half hour drive away from Chiusa. In short, Chiusa makes a fantastic base for venturing into some of the most gorgeous areas of the Dolomites.

More surprises along the way

If you spend the night in Chiusa, you can dine at one of the many restaurants you walked by earlier. We had a surprisingly good dinner at Gassl Brau. You’ll recognize it for by the huge copper vats seen inside used for brewing their own beer. I had one of the best salads of our trip. Pizza I expected in northern Italy. Such a wonderfully fresh salad, no.

Chiusa, Italy - mountain bikers outside restaurant

It was just one of the many unexpected aspects of Chiusa. We were there for three nights and we wished we’d had more. The best part is that other villages like neighboring Velturno (Feldthurns) and even the much larger city of Bressanone (Brixen, shown above) just north of there, all have their appeal. In short, a trip to the Dolomites doesn’t have to be just about the mountains and their trails. Visiting a small town like Chiusa allows you to have the best of all worlds: the adventure of mountain adventure along with the charm, comfort and romantic appeal of a beautiful European village.

If you go

Travel Types
- Adventurers will appreciate the hiking, skiing and discovery possibilities that abound in the surrounding mountains and valleys.
- Creative Travelers will love that Chiusa is known as “The Artist’s Town.” It’s been inspiring creatives for centuries.
- Learners can dive into the rich history of the place or take classes or guided tours that explore local crafts or traditions such as cheese or wine making.
- Connectors have the perfect backdrop for spending time at the charming cafes or getting to know the locals, many of whom speak good English.
Timing and Rhythm
- A few hours will suffice for the sights. But Chiusa makes an excellent base for a multi-day stay and allows a more leisurely appreciation of its charms.

How to master travel—and why it matters for beginners AND seasoned travelers

Steve BrockTravel 0

Master travel? What’s that?

Whether you a beginning traveler or an experienced road warrior, chances are you’ve never considered how you might master travel or even why you might want to. When you first start traveling, you just jump in and let the novelty and excitement of the journey propel you forward.

As an experienced traveler, you figure you know how to travel already. But eventually, as with all endeavors, you hit a plateau where, though the destinations may change, your trips start to feel oddly similar. You may believe that you have mastered travel, but it can start to feel as if travel has mastered you.

You desperately try to mix up the activities or sights, but a similar routine or pace has crept in over time. You’re in a bit of a travel rut. Trips are still fun, but they lack the meaning or sense of life-changing possibility that they used to provide. What do you do when this happens?

You learn to master travel

Why learning to master travel matters

If you’re a beginning traveler, that starts with realizing that travel is a skill that can be mastered. Your mission, should you choose to accept it (queue the music) is to seek ways to improve that skill.

If you’re an experienced traveler who needs a boost, well, the remedy is surprisingly the same, but for a different reason. You’ll want to learn how to master travel not to learn new approaches so much as to get you out of—to free you from—ones that no longer serve you well.

In both cases, your goal is mastery of a skill you probably didn’t even consider to be one.

Until now.

10,000 hours of travel

You may have heard or read the stat promoted by Malcom Gladwell and others that you achieve mastery after 10,000 hours of practicing something. It’s a widely quoted finding.

It just may not be true.

This article does a good job of summarizing the more recent research on the subject noting that 10,000 hours of practice was only an average and that it doesn’t apply the same to all kinds of activities. For example, with travel, 10,000 hours of time spent on trips (not counting sleep) would be about two years of consistent travel. If you’re only taking a vacation for say, a cumulative total (counting weekend trips) of a month per year, using the 10,000 hour mark means you wouldn’t hit mastery for about 21 years.

Oh, and that is counting every waking moment on a trip as “practice” when in reality, you’re likely only thinking about the actual travel part of your trip a fraction of the time. Thus, you could probably double or triple the number of years to reach the mastery level of traveling if you based it on the 10,000 hours idea.

Good thing you don’t have to.

Why? Because what seems to apply more than time if you want to master something is a combination of interest and what’s called deliberate practice. Let’s start with the former.

Love what you do

As a traveler, you’re not training to win a travel award or to be admitted to the top travel school in the country (and no, I don’t believe there is such an institution…yet). Nor are you competing with others to be the world’s best traveler nor are you turning pro. Unless you have to travel for work or other necessities, you travel simply for the love it. And you know what that makes you? An amateur.

The word “amateur” derives from the Latin “amare” which means “to love.” We sometimes deride amateurs for their lack of skill but true amateurs, those who take on something new for the sheer joy of doing it, don’t care. It is in the doing they find satisfaction, not necessarily in the mastery. But here’s where a paradox of mastery comes in.

You don’t have to be a pro at something but you do need to know enough to enjoy it. As my surfing coach Shaun says, “You have to reach that point of being stoked.” Once you hit that level of really loving it, you’re hooked. But many people give up before that point because they don’t get good enough to enjoy it. So you need to work to reach at least some degree of proficiency. With travel, this is pretty easy because the process itself is so enjoyable. In fact, I suspect you may never have even thought before that travel is a skill you learn, right? That’s because we don’t usually consider fun activities as something requiring effort and practice. But practice does make perfect. Sort of. Only, however, if you do it right.

Master travel through deliberate practice

Doing the same thing over and over may seem like practice. Instead, it usually means mindless repetition. A better approach is what is known as deliberate practice. Being aware of how to navigate through an airport or train station, how to choose the best flights, how to know before you arrive if a hotel will be good—all of those are travel skills that come with practice. But if you don’t think about learning those skills and only pick them up haphazardly, they’ll take you much longer to master.

If, however, you practice deliberately, some of the more frustrating elements of travel—like getting a decent seat on a flight or learning how to find great local restaurants—get much easier, much faster. And the better you get, the more you enjoy. The more you enjoy, the more you’ll push yourself to be better not because you have to, but because you want to. And in so doing, you’ll discover a whole new level of travel because you’ve learned to master travel.

But what happens when you’re an experienced traveler?

All of the above is well and good for learning how to travel initially. But once you’ve done it for a while, how do you get out of your travel ruts and routines? Here’s the fun answer: Same thing. Deliberate practice.

The exact same approach that works for beginners in learning how to master travel works for master travelers who’ve plateaued. To understand this, let’s apply some key attributes of deliberate practice to travel. I’ll note how to do this for both beginners and seasoned travelers wanting a new boost in their trips.

Concentrate. For both types of travelers, be mindful and aware that you are learning a skill. As you learn to navigate the metro in Paris, make a conscious effort to pay attention to how it works. Treat it as if you will be quizzed on it later. Does that take away from the fun of your trip? Actually, it can enhance it because every mundane logistical task now becomes a creative challenge. For seasoned travelers, this means paying attention to what moves and delights you. Note what has started to feel routine and what still feels fresh. What feels missing? Be aware of your emotions and interests as you travel and you’ll be able to diagnose how to make changes for your future trips.
Give yourself a break. Yes, you want to master travel by learning how to do it better and treating it as a skill to acquire and perfect. But you don’t have to do that all the time. Use the down times on a trip to mentally inventory what you’re learning. Then, the learning or practice part of this won’t bog you down when you’re in pure exploration mode. This applies to both types of travelers.
Write it down. Having a travel journal is so helpful for many reasons. For beginners, you can record and even track your learnings as you go so you’re more aware of them later. For seasoned travelers, you’ll want to record what you learned in step one regarding what is working for you emotionally and what’s not. For both types of travelers, also write down as the ideas come to mind, additional travel skills you want to learn. That way, you can deliberately pursue those over time.
Experiment. Try different approaches to a travel challenge whether it’s your first trip or your 100th. If you’re used to taking a taxi or ride share, take the bus. Or vice versa. If you always pack a lot into your trips, try a slower approach. Then record what you learn. Glean what works and discard what doesn’t. For beginners, you’re seeking to find your travel style or cadence. For experienced travelers, you’re looking to discover a novel approach that will break you out of your travel habits and let you master travel in a whole new way.
Be consistent. Don’t just try all this once and stop. It will take a lifetime to fully master travel. You can always learn more. But that won’t happen if you forget to learn. If you go back to not paying attention to the process and the skills you’re acquiring, you’ll travel like everyone else and your trips won’t get better. They may be different, but they won’t improve. You have to be deliberate about practicing travel to master travel.

Enjoy the process as you master travel

This may all seem like hard work. But hard work, if it is enjoyable, adds greater meaning to life. If you travel only to lie on a beach and sip fruity drinks, don’t worry about how you’ll master travel. You don’t need to. But if you love travel and want to continue doing so more and more over time, start thinking about travel as a skill you can learn and even master. It may not be as easy as lying on a beach, but it is so much more rewarding.

As a friend of mind often reminds me, “I don’t like to travel. I like to have arrived.” Most of us do, especially on today’s flying buses and over-crowded attractions. But when you master the harder parts of travel itself, you’ll find a greater sense of accomplishment and greater joy, both in the arriving and in what it took to get you there. Mastering travel will make the hard parts of the journey easier for beginners. And best of all, taking a deliberate practice approach to master travel will help experienced travelers continue to reap rich rewards from travel for years to come.

The art of cropping: In photography, travel and life

Steve BrockPhotography, Travel 0

Why cutting things out improves what is left

Cropping — the cutting off or leaving out of areas of an image — is one of the most common yet powerful tools a photographer has. And the principle behind cropping — editing to reveal the most important element of something — applies to far more than photographs. As we’ll see, cropping has implications for how we approach many creative aspects of life including travel.

Cropping after the fact

Great photographers crop, but they usually do so mentally when framing their shot, seeing the final image in their mind before they release the shutter. Personally, I’m not quite there. More often then not, when I get home from a trip or photo shoot, I find that many images could stand a trim to improve the image I thought was there or, in some cases, to reveal an even better one.

The photo above is a good example. You may recall this general scene from the article on the Dolomites. Here’s what the original looked like before cropping:

I almost deleted this shot because at first it seemed like a picture of a big field with some mountains crammed in on the right.

I was actually trying to get the shot that most people take when they come to Val di Funes, this lush green valley in the Dolomites. Here’s an example of the more typical shot of the church with the mountains behind it:

It’s an interesting photo. But I still like the one of the field because it’s less typical. And even this one with the church benefited from cropping as this view of the original reveals:

In both of the above original images, cropping helps. With the first, it takes a so-so image and turns it into a strong composition. With the second, cropping improves an already interesting image by concentrating your eyes on the essential elements in the photo and removes some distractions like the white hay bales on the far left.

Cropping is for more than images

The same principles of cropping apply to most art forms, including travel. Writers edit. Chefs eliminate ingredients from recipes or replace them with something new. Composers take elements from a symphony that isn’t working and use those to create a smaller, yet more refined piece. And travelers? They choose to cut out parts of their itinerary in order to enjoy fewer places or experiences in greater depth. Here are some principles of cropping you can apply to travel or any creative endeavor.

Principles of cropping

When you cut out the non-essentials, you enhance what remains. That, is the heart of cropping, improving what is there by removing what shouldn’t be.
Cropping helps you discover something fresh in a scene, a focus beyond the obvious original intent. We like the familiar but we love the novel, especially when it retains enough of the familiar to be inviting. I once saw a wonderful photo taken near the Taj Mahal. But only a portion of that famous building could be seen in its reflection in a pool. The rest of the image captured the interesting people there. It was a new, intriguing way to view this iconic landmark and far more interesting by cropping out just enough of the more familiar.
You learn to transform the merely adequate. Cropping lets you take the ordinary and make it extraordinary. Each photo becomes a treasure hunt to see what can be improved by finding the true story in the image. Like the comment attributed to Michelangelo that within the rough block of marble lies a horse and all he did was to remove the parts that didn’t look like a horse, so too with a photo or trip. You crop out the parts that don’t fit the best story inherent in the image or experience.
You see the same scene but in a different way. You’re actually re-seeing it because cropping allows you to shift perspectives. Same with a trip: Eliminate a few activities and gain more time, and you’ll view what you do see in a different way than if you were rushed.
You learn to tell the true story inherent in the image or trip. You may not always consider your viewers when you snap your shot. But when you edit, you begin to think about how others will perceive the image. What’s the story you want to convey? Cropping helps you refine that story and craft a final image that “reads” and makes sense even if the viewer has never been to the location in the photo. On a trip, you define what you want from your time in a place then ruthlessly cut out anything that doesn’t fit. It sounds harsh, but the results can be extraordinary because you’ll have the trip that matters to you, not one that everyone else did. This is the same idea as that expressed in this article on how to enjoy a museum: by seeing less, you actually see more of what delights you.
Everybody crops. Every decision to forgo something in favor of something else is a form of cropping. Cropping is so familiar, we likely don’t realize what a useful tool it can be. Cropping is the difference between a first draft and a final work, the refining process that separates good (or even adequate) from great. With travel, cropping out the non-essentials is the difference between visiting a place versus truly getting to know it.
Cropping well only comes with experience. It takes time, exposure to good design and practice to learn what makes an image, an experience or any work of art “just right.” Guidelines such as the “rule of thirds” help, but practice remains the key. Same with travel. You learn your own pace and what to leave in and out only by doing it repeatedly.

The results of cropping: Less is more

Thus, if you’re a photographer of travel images, you may want to pay more attention to the cropping function. With it, you can recenter, rotate, remove and re-position. But most of all, far beyond the realm of photography, cropping serves as a vital discipline for all creative types, including travelers. It enables you to discover and highlight the heart of the image, subject or place and to eliminate the distractions and lesser narratives. You end up with less: cropping is inherently reductive. But that less is almost always more: a stronger image, story, point or trip. By taking away, you add. And the results can be spectacular.

Get more from a museum by getting less

Steve BrockDesign, Drawing and Painting, Explorations, The Art of Craft, Travel 0

How to enjoy a museum more

Museums, particularly art museums, overwhelm me. And the bigger the museum, the greater the feeling of being thrashed by a wave of sensory overload.

I want to see it all. But in museums like the Louvre in Paris or the Prado in Madrid, I simply can’t. Not at least in a few hours. And if I go beyond that, fatigue tends to mar even the best viewing experience. So, what’s the solution to getting the most out of an art museum in a short amount of time? Here are three solutions I’ve found that work well.

Choose your battles carefully

As this and the following head shots show, art museums have interesting characters.

The same strategy that works for parenting works for visiting museums. Knowing you can’t see it all, choose only a few sections and concentrate on those. Forget the rest. Maybe you can come back later. Maybe not. But many museums now put their collections online so you can see what you missed when you get home. You’ll at least have seen in person those works of art that seem most interesting to you. I pay special attention to visiting exhibitions knowing that these will be the hardest to see again.

Play reconnaissance

Intentionally go fast just to see what stands out. No one said you have to appreciate every single artwork. Zip your way through until you find something interesting. Then, move into the next approach.

Go deep

Stop and stare. Then stare some more. If you’ve found something you like, take time with it. This New York Times article from a few years ago recommends essentially the same thing. Peruse the paintings or sculptures until you find something that speaks to you. Then really look at it.

Here are two additional approaches I’ve found to help you do that even more effectively.

Sketch it

I’ve recently resumed an earlier attempt at drawing. I’m still no good at it (if “good” means capturing the image in its exact proportions), but that doesn’t matter. The very act of trying to sketch something helps me see it so much better. You literally see things you miss with a cursory or even extended examination. It’s like learning anything. You learn best when you teach others. Drawing is like that as well. You see best when you have to translate it into a different medium line by line, shape by shape, color by color.

Museums - The Five Senses - Sight painting

There’s a lot going on in this painting, The Five Senses – Sight by Jan Brueghel the Younger (1625). It’s a great candidate for looking more closely at the details.

Snap a detail

Can’t sketch? No worries. Try this. Take a photo instead. You can shoot the whole painting, but lately I’ve found a greater enjoyment of the whole work when I concentrate on just a part of it. Taking a photo of just one section that appeals to me is again, another form of translation. But instead of translating what I see onto a piece of paper, I’m translating what I see into an emotional experience.

Museums: The Five Senses - Sight: Detail

Here’s a detail of the same painting. There’s plenty to keep you interested in this one small section.

Let me explain.

Unless you’re an art historian, student or critic, you’re likely going to an art museum simply for the delight of it. I know this is hard to imagine if you don’t like museums. But somewhere along the line, we picked up this notion that art museums were all about culture and appreciation. They are, but that’s not all.

Let your jaw drop

Art museums are, to me, places of wonder. Sometimes I’ll come across a work that staggers me. It is usually some piece I’ve never heard of before. Something that isn’t bogged down in expectations or hype. Other times — and this is where the details exercise fits in — I’ll see a piece and I may like it. But if I spend time with it, I find that there is some element that speaks not to my head about technique or lighting or the historicity of the piece, but to my heart.

With these small sections of details, my reaction isn’t to tuck the ear piece of my glasses in the corner of my mouth and nod philosophically. Instead, it is to smile. Maybe even sigh in a happy way. In those moments, I’m completely disarmed by the beauty of that one detail. It triggers something inside me. It connects to some inner longing or interest. I may try to figure out what that connection is. Or maybe not. Often, it is enough to just stand there and be enchanted.

Go slow and small

So if art museums tend to overwhelm you, don’t “go big or go home.” Instead, slow down and go small. Find the artworks that appeal to you, but also focus on the small sections or moments within those. Take a photo (where allowed) and capture that section as its own work of art. Some artists hate this. They feel you should appreciate their work as a whole. And quite often, you will. But other times, take the opportunity to find what matters to you in their work. Treat each piece like a “Where’s Waldo?” book or poster: find the secret gem within the bigger whole that resonates with you.

One aid in doing this is my guide to seeing the right details. Check it out if you want to get better at noticing and capturing details, either in photos or in writing.

However you do it, finding the works or even the details of the works that resonate with you will enable you to walk away from the museum happier, more energized and more inclined to visit other museums in the future.

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Your best day in Ljubljana

Orientation

Starting early

The Riverside Market, Dragon Bridge and the Castle

Cathedral and Seminary Library

Shop and eat

Crossing the river

National University Library

More food and exploration

The best of Ljubljana

What you see is what you get

An exercise if determining what appeals to you visually

Consider all the factors

You may be surprised

Applying this to planning a trip

Chiusa and the serendipity of travel

The town itself

Heading uptown

You don’t even have to knock

Getting out of town

Master travel? What’s that?

Why learning to master travel matters

10,000 hours of travel

Love what you do

Master travel through deliberate practice

But what happens when you’re an experienced traveler?

Enjoy the process as you master travel

Why cutting things out improves what is left

Cropping after the fact

Cropping is for more than images

Principles of cropping

The results of cropping: Less is more

How to enjoy a museum more

Choose your battles carefully

Play reconnaissance

Go deep

Sketch it

Snap a detail

Let your jaw drop

Go slow and small

My Instagram Images